Why is the public row between the
music artists Sinead O'Connor and Miley Cyrus important in understanding the
relationship between artistes and between artiste and audience? Explore with
reference to the representation of women, media institutions and the role of
the media.
The relationship between artists and their audience is the
most important as the audience are what determines an artist’s success. Ideally,
the more fans an artist has the more success in terms of profit, publicity and
popularity. On the other hand, the relationship between artists is also
important as it can connect two different audiences and define personalities based
on how they interact. Also if the relationship between artists is not as
friendly, it may have a negative effect on each of their careers and may even
cause problems and rows between the two fan groups.
The row between Sinead O’Connor and Miley Cyrus started
after Miley said that she was inspired by O’Connor’s Nothing Compares To you
video which is surprising as they are two completely different artists in terms
of personality and style of music. Sinead O’Connor is part of the 1980’s
success with her debut album ‘The Lion and The Cobra’ whereas Miley Cyrus is
part of today’s most famous with her latest album ‘Bangerz’. In response to
Miley’s comparison comment, Sinead replied to which she nicely advised Miley
about how she shouldn’t allow herself to me so exploited sexually just so other
men can make money from it, as if referring to the male gaze theory. The response that O’Connor gets from this,
that many would find rude and offensive, is screenshots of some of the things
Sinead has tweeted when she was mentally ill and seeking psychiatric help and
mentions Amanda Bynes’ similar mental illness. Sinead O’Connor was offended by
this and warned Miley that she would take legal actions unless she removed her
tweets. We can see from this the differences between the morals each of these
artist believe in and the way Miley Cyrus feels about this type of mental issue
to use it as a mockery and a defence mechanism.
Miley Cyrus started her fame from a show on Disney Channel
called Hannah Montana from the age of 11 so her fans and society watched her
grow up and witnessed the change of personality from innocent to erotic in the
last year which is quite a surprise for everyone but she has managed to do so
well for herself that most of her fans still adore her regardless. Miley’s fans
are, or at least used to be, young girls but it seems that Miley has officially
grown up and wants to change her audience to an older and mature age of not
only girls but also males. She has been criticized by the press to represent ‘stripper
culture’ not only her videos but in some of her appearance in talk shows, interviews
and the most recent VMA awards ceremony. One of the most disturbing yet talked
about publicity stunts that Miley pulled recently was at the 2013 VMA awards were
she ‘twerked’ during her performance. The incident caused a huge negative reaction
from nearly everyone in the media business and the audience however she refused
to let any of the negative comments get to her and continued her high profile
stardom. For many it seems as though she has officially left the Hannah Montana
phase, and is now following the steps of Lady Gaga and Madonna, which is quite
interesting in relation to the feud between her and Sinead O’Connor.
The history behind Sinead O’Connor is very significant in
helping to understand the relationship between artists and their audience and
representation of women. Sinead is known for her strong interest and support in
Child abuse, was and women’s right and also for her objection towards the Roman
Catholic Church despite coming from a catholic background. During a Saturday
Night Live performance in 1992, Sinead O’Connor tore up a photo of the pope
while singing “fight the real enemy” to a nationwide audience, while the
producers were in shock and tried to cut the camera away of her while the
studio audience were not allowed to applaud or show any reaction to the live
incident. The controversy was later brought up by Madonna on SNL later as she
pulled out a photo of Joey Buttafuoco and tore it up and said that there are
better ways to deal with hate towards someone that means something to a lot of people
aimed at O’Connor. The public argument continued for quite a while and the last
thing saved was that Madonna had made comments about Sinead’s appearance. This
entire row seems like a dated version of what is happening today with Miley
Cyrus and O’Connor and both artists lost and gained many fans because of the
incident just like what is happening recently.
Both Miley and Sinead are huge influences to young girls and
women, although for entirely different reasons. Miley’s ability to express
herself as being free using her body and actions carelessly can be seen as an
admirable trait in young teenagers today who watch all sorts of similar shows
in the media whereas Sinead O’Connor really believes in prevention of child
abuse and enforcing women’s right. She explains that she can support this by
shaving her head so she is not define by her female looks while Miley Cyrus
also recently shaved her head but only for a new look and style for her return.
The music videos for ‘Nothing Compares To You’ and ‘Wrecking ball’ are similar due
to their use of close ups of the singers’ face shedding a tear. O’Connor
describes the tear as an impulsive thing as the lyrics of Nothing Compares to
You mean something to her. However it was revealed that the tear during the
chorus of the song was for her dog which has recently died.
The male gaze theory by Laura Mulvey explains the idea of
how females are presented and visually consumed by the audience of that media
text. The 3 main things that this theory succeeds to highlight are how men see
women, how women see themselves and other women. The features of the male gaze are created by
the use of camera where the lens is pointed at. The camera focuses on the
curves of a woman and the events that happen to her, mostly from the
perspective of a heterosexual male. This
theory can be used to explain Miley Cyrus’ Wrecking ball video as she appears
to be unclothed throughout most of the video. However, others such as Miley
Cyrus herself and the director of her Wrecking Ball video, Terry Richardson,
would disagree to this as they believe that nudity is a form of expression and
art. However, a second version of the Wrecking Ball video was created, known as
the ‘directors cut’ and in this version the entire song is film in a close up
of Cyrus’ face miming the lyrics. The purpose of this may have been that the
director wanted the audience to focus on the emotions and story behind the
lyrics of the song rather than anything else. If we look at this from another perspective,
Miley’s Video was one of two videos which featured nudity in the top ten of
Billboard’s Hot 100 meaning there has to be some sort of pattern and success
rate of such videos.
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